Abstract

ABSTRACT begins with photography and moves beyond representation through layered color, fragmented form, and tactile surface. Images are deconstructed and reworked into immersive visual fields where memory, gesture, and material interact.

Through shifting textures and unexpected relationships between color and form, the series invites interpretation rather than a fixed reading—creating works that are sensed as much as they are seen.

Materials: Photograph, layered color, fragmented form, and tactile surface on multi-surface.